Shelley Certified/PRINTMAKERS OPEN FORUM

June 18, 2013 12:38 pm

(via beeprintco)

via signalreturnpress

➜

June 17, 2013 7:09 pm

printstamps:

Witt Visiting Goedele Peeters

Imagine a world where only silence reigns, where everything rests in stillness, where every sound is banished from, this is the world of Goedele Peeters. Goedele Peeters is one the foremost Belgian printmakers of her generation working in a range of printmedia, from intaglio and lithography to relief and artist books. Widely and internationally exhibited as an artist, she currently teaches at Academy of Fine Arts in Antwerp-Berchem. Goedele was a visiting artist at Print@Stamps studios in 2009.

(via beeprintco)

via printstamps

➜

June 17, 2013 6:52 am

theobscuresketchbook:

here are the prints I’ve made from the previous ink drawings so far; I may have some shots of stuff in progress soon.

In order from top to bottom:

… elasticity of evolution …,

screen print on magnani pescia & arches 88, 18” x 14”

… essential for growth …,

scree print on magnani pescia, 10” x 8”

untitled (controlled drawing of cell),

screen print on yupo, 22’ x 30”

(this one may still some get additional work)

(via jasonandmeganshow)

via theobscuresketchbook

➜

June 16, 2013 6:02 pm

Printmakers Open Forum gets tables - front all purpose/screenprint room - 4 x 8s on locking casters so lots of configurations.

Tags

➜

June 15, 2013 6:10 pm

mainsqueezepress:

Maybe they’ll start following me on Tumblr…

via mainsqueezepress

➜

June 15, 2013 10:39 am

it’s official :)

Printmaking Area Head, Richard Hricko announces:

Tyler School of Art welcomes Amze Emmons as a new Associate Professor of Printmaking beginning in the fall 2013 semester. Amze received a BFA from Ohio Wesleyan University and a MA and MFA from the University of Iowa. He has held numerous solo and group exhibitions both nationally and internationally. In addition to his studio practice, he has written regularly about printmaking in an expanded field, including new media, relational, and socially engaged practices. Amze’s awards include a Fellowship in the Arts from the Independence Foundation; an Individual Creative Artist Fellowship from the Pennsylvania Arts Council; and a Fellowship at the MacDowell Colony. He is also a co-founder and a contributing co-editor of the popular art blog, Printeresting.org, an art journalism project that investigates the intersection of contemporary print, design, and technology within a visual culture context. Printeresting was recently awarded a 2011 Arts Writer Grant from the Warhol Foundation/Creative Capital’s Arts Writers Program. Amze has previously taught at the University of Vermont, University of Iowa, Muhlenberg College, and The College of New Jersey. "Impulse to Rescue"

podcast at studiobreak.com

http://studiobreak.com/amze-emmons/

at Second State Press

at Second State Press http://secondstatepress.org/

but wait, there’s much more!

http://amzeemmons.com/

Tags

➜

June 15, 2013 10:25 am

Art in Print | INK: Reboot

“This month, INK shifts from the populist Art21 blog to the specialized Art in Print website (where it complements the journal) and a reassessment is in order. Because AiP’s publication already offers reviews of exhibitions and new publications on prints, as well as critical analysis of artists and movements, the online column will no longer focus exclusively on these topics. Rather, the bi-monthly INK posts will provide broad observations and synthesis of trends and events related to the print world, as well as criticism on specific subjects when appropriate.

It seems apt to begin with an assessment of the state of the print at large. The past five years have been a time of major transformation as the print community grapples to keep pace with larger forces in society and culture. Chief among these is a shift from an analogue to digital, not only in communications, but also in day-to-day life. Likewise, the influence of the ultra-wealthy on the art market has impacted organizations as diverse as galleries, auction houses, art fairs, and museums. In some cases, traditional roles and approaches have shifted and institutional values reprioritized to make way for changes.”